Mütercim Tercümanlık Bölümü (İngilizce)
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Book Birth of the English novel(Çankaya University Publications, 2005) Koç, Ertuğrul; 6497; İngilizce Mütercimlik ve TercümanlıkArticle Rebirth of the gothic in the metropolitan legends(Çankaya Üniversitesi, 2006) Koç, Ertuğrul; 6497; İngilizce Mütercimlik ve TercümanlıkBu makale onsekizinci yüzyıl gotik roman geleneğinin yirminci yüzyıl grafik roman tarzında yeniden ortaya çıkışını irdelemekte ve gotik edebiyatın büyük sosyal dönüşüm süreçlerinin bir ürünü olduğunu iddia etmektedir. Makale bu tarzın ilk ya da son örnekleri olsun, bu eserlerin kapitalizmin ortaya çıkışı ve insanın bilinç kazanma sürecine paralel giden metaforik göndermeler olduğu değerlendirmesinde bulunmaktadır: Gotik roman tarzının ilk örneklerinde kapitalizm nasıl eleştirilmişse, yirminci yüzyıl grafik romanlarında da kapitalist sistem ve sistemin yarattığı materyalist bireye dolaylı atışar vardır. Sonuçta, bu tarzın örnekleri kapitalist kültüre ait bireyin manevi, ahlaki ve entellektüel boşluğunu dile getirmektedir.Article Rebirth of the gothic in the metropolitan legends(Çankaya Üniversitesi, 2006) Koç, Ertuğrul; 6497; İngilizce Mütercimlik ve TercümanlıkBu makale onsekizinci yüzyıl gotik roman geleneğinin yirminci yüzyıl grafik roman tarzında yeniden ortaya çıkışını irdelemekte ve gotik edebiyatın büyük sosyal dönüşüm süreçlerinin bir ürünü olduğunu iddia etmektedir. Makale bu tarzın ilk ya da son örnekleri olsun, bu eserlerin kapitalizmin ortaya çıkışı ve insanın bilinç kazanma sürecine paralel giden metaforik göndermeler olduğu değerlendirmesinde bulunmaktadır: Gotik roman tarzının ilk örneklerinde kapitalizm nasıl eleştirilmişse, yirminci yüzyıl grafik romanlarında da kapitalist sistem ve sistemin yarattığı materyalist bireye dolaylı atışlar vardır. Sonuçta, bu tarzın örnekleri kapitalist kültüre ait bireyin manevi, ahlaki ve entellektüel boşluğunu dile getirmektedir.Article Language attitudes of Turkish students towards the English language and its use in Turkish context(Çankaya Üniversitesi, 2007) Karahan, Firdevs; 11174; İngilizce Mütercimlik ve TercümanlıkLearners, teachers, administrators, and parents complain about why most of Turkish people cannot attain the desired level of proficiency in English. Within the frame of this study, it is assumed that the provocative relation between language attitudes and language learning is a missing point of discussions on the problems of teaching English in Turkey. This study examines the relationship between language attitudes towards the English language and its use in Turkey. The sample included 190 eighth grade students of a private primary school in Adana, Turkey, where English is intensively taught. The questionnaire consisted of two parts: The first part required personal information such as gender, the age when they started to learn English, the place where they started to learn English. The second part asked them about their attitudes towards the English language and their attitudes towards the use of English in Turkish context. Mann Whitney U test and Spearman’s rho correlation coefficient tests were applied. It is found out that although these students are exposed to English in a school environment more frequently than other students at public schools, they have only mildly positive attitudes; especially female students have higher rates. They recognize the importance of the English language but interestingly do not reveal high level orientation towards learning the language. On the other hand, they have mildly positive attitudes towards the English based culture but they are not tolerant to Turkish people speaking English among themselvesArticle Avrupa Türk Edebiyat› ve bir temsilcisi: Emine Sevgi Özdamar(2007) Ekiz, Tevfik; 6769; Yabancı Diller BölümüAlmanya’da yaşayan ve Almanca yazan Türk kökenli yazarlarımızın edebi ürünlerinin nasıl sınıflandırılacakları ve hangi edebiyata dahil edilecekleri konusu Türk ve Alman edebiyatbilimcilerini meşgul etmiştir. Bugüne kadar genellikle “göçmen edebiyatı” kullanılmasına karşın, herkesin üzerinde uzlaştığı bir tanımlama hâlâ yapılamamıştır. Söz konusu edebiyatın bu çalışmada “Avrupa Türk Edebiyatı” olarak tanımlanmasının doğru olacağı görüşü, bu edebiyatın temsilcilerinden Emine Sevgi Özdamar’ın eserlerinden hareketle önerilmektedir; çünkü, onun tüm eserlerinde belirleyici öge Türk Kültürü’ dürArticle Avrupa Türk Edebiyatı ve bir temsilcisi: Emine Sevgi Özdamar(Çankaya Üniversitesi, 2007) Ekiz, Tevfik; 6769; Yabancı Diller BölümüAlmanya’da yaşayan ve Almanca yazan Türk kökenli yazarlarımızın edebi ürünlerinin nasıl sınıflandırılacakları ve hangi edebiyata dahil edilecekleri konusu Türk ve Alman edebiyat bilimcilerini meşgul etmiştir. Bugüne kadar genellikle “göçmen edebiyatı” kullanılmasına karşın, herkesin üzerinde uzlaştığı bir tanımlama hala yapılamamıştır. Söz konusu edebiyatın bu çalışmada “Avrupa Türk Edebiyatı” olarak tanımlanmasının doğru olacağı görüşü, bu edebiyatın temsilcilerinden Emine Sevgi Özdamar’ın eserlerinden hareketle önerilmektedir; çünkü, onun tüm eserlerinde belirleyici öge Türk Kültürü’dür.Article Alımlama Estetiği mi Metinlerarasılık mı?(2007) Ekiz, Tevfik; 6769; Yabancı Diller BölümüEdebî metinlerin yorumlanma ve çözümlenmesinde yazar ya da metin merkezli çözümleme çalışmalarına karşı olarak, alımlama estetiği kuramı “okur”u alımlayıcıyı birincil konumda tutmaktadır. Metinlerin, öncel metinlerle Prätext bağıntı içerisinde olduğu anlayışından hareket eden ve bu bağıntıyı inceleyen metinlerarasılık kuramı da aynı şekilde “okur” merkezlidir. Okur, metin içerisinde çok çeşitli türlerde karşımıza çıkan ilişkileri, bağıntıları açığa çıkarmak durumundadır. Alımlama estetiği kuramcılarına göre; pasif alımlayıcı konumundan aktif, anlam üreten alımlayıcı konumuna geçiş, metinlerdeki boşlukların doldurulmasıyla, somutlanmasıyla mümkündür. Tüm metinlerin birbirleriyle örüntü içerisinde olduğu temel görüşünden hareket eden metinlerarasılık kuramına göre de, bu örüntüyü açığa çıkarmaya çalışmak, metinlerin anlamlandırılma ve yorumlanmasının temelini oluşturmaktadır.Article Wutheringheights: a hybrid that rejects classification(Çankaya Üniversitesi, 2007) Koç, Ertuğrul; 6497; İngilizce Mütercimlik ve TercümanlıkMuch has been said about Wuthering Heights and Emily Bronte. Literary criticism that surrounds the work and its author, however, still continues to haunt the situations of both the novel and the novelist. Rejecting the formal tone and abstract subject matter of the criticism produced so far, I, in this article, analyze the text and its author from deconstructive, biographical, and reader response perspectives. Bronte wrote Wuthering Heights in the Victorian Age, when literary trend was concerned with the urban life. Despite being much discussed in literary circles and appreciated for its out-of-tradition themes, the work is neither the product of the age, nor does it belong to the anterior romantic (or gothic) tradition. The novel is down to earth within the unique conditions it was written, and this is because the writer was a unique personality to produce such an unclassifiable masterpiece.Article İçbütünlük Sorunu ve Modern Politik Ahlak(2008) Aral, Halide; İngiliz Dili ve EdebiyatıBu makale, modern politik ahlakın içbütünlük erdemini dışlamasını ve yozlaşmasını Machiavelli’nin faydacı politik felsefesine; Sorokin’in deyimiyle, Duyumcul üstkültüre ve Schubart’ın deyimiyle, Prometheuscu kültüre bağlar. Makalenin amacı, ilkeliliği ve dürüstlüğü politikanın jargonundan tümüyle çıkaran güç politikasının aksine, içbütünlük erdeminin politik ahlakın merkezine yerleştirilmesinin gereğini savunmaktır.Article From ‘0’, the logic of imagination, to ‘ground zero’, the imagination of logic: the enigmas of Wallace Stevens’ ‘blackbird’ and current US action(Çankaya Üniversitesi, 2009) Akın, Nüzhet; İngilizce Mütercimlik ve TercümanlıkWallace Stevens has signified ‘the logic of imagination’ in his “Thirteen Ways of Looking at a Blackbird” with the image of the blackbird that is the focal point of many debates. Stevens, the Post-Modern theorist, who rejects the logic derived from universal norms and based on pure and absolute reason, substitutes the power of imagination for it. For him, imagination recreates the objective world by synthesizing it. When perceived, the object, having been nullified, is reinterpreted and attributed meaning through the mechanism of imagination. By this way, man brings order and meaning to the disordered and chaotic universe with the ideas he develops. Therefore, imagination is a plane of reality whereby the object is present through concrete perception and absent through abstract perception. This Post-Modern perception resonates with the angle of perception that is claimed by the US following the incident of ‘the ground zero’ when the towers of the World Trade Center were demolished. In line with this, the twin towers being both present in minds as abstraction and absent as concrete have become a reference point in American National imagination. Taking a leap onward from this point, US has seemed to declare war on international terror. However, in this study, it is put forward that America does not take action with the logic of imagination that is a Post-Modern approach, but with the power of imagination of the US Empire that is a Post-Post-Modern approach. According to this, US international policy makers that accept the references of the Nation State America as absolute and permanent reality have created the concept of virtual reality to fill in the void that has appeared after the towers with democracy, equality, life, liberty, pursuit of happiness, American ego, the Church built on the rock and the philosophical logic of the western mind, the composition of virtual myth. This approach is the power of ‘the imagination of logicArticle Tess of the d’Urbervilles: the tragedy of godless human existence(Çankaya Üniversitesi, 2009) Koç, Ertuğrul; 6497; İngilizce Mütercimlik ve TercümanlıkIn Tess of the d’Urbervilles Thomas Hardy depicts a godless world where human consciousness is unable to comprehend the consciousness of the universe. Hardy shows that, having created God as the culmination of his own moral perception, man hopelessly expects mercy and poetic justice from his own creation. Tess’s catastrophe is not the work of Christian God, but the work of the powers beyond the understanding of the character. Although Hardy suggests the solution for the circle of tragedy in human solidarity, in the civilization of man, or in the social stratification of the Victorian world, however, there is no place for peace and harmony. Hence, from Hardy’s perspective, man is alone and defenseless in the face of the tragedy awaiting him. Criticizing in a sardonic way the patriarchal mentality and the ignorance of his main character Tess, Hardy reveals that human existence is tragic, and what defines the life of individual is crass-casualty.Book The Victorians and the novelists: from Dickens to Hardy(Barış Platin, 2010) Koç, Ertuğrul; 6497; İngilizce Mütercimlik ve TercümanlıkArticle Challenges to ekphrastic poetry: Carol Ann Duffy’s “Standing Female Nude”*(Çankaya Üniversitesi, 2013) Uzundemir, Özlem; 49324; İngiliz Dili ve EdebiyatıEkphrasis rests on the paragone between the sister arts, namely verbal and visual arts, the word and the image. Gotthold Ephraim Lessing in his Laocoön claims that the image is silent and fixed while the literary work is based on voice and action. W. J. T. Mitchell in his Picture Theory enlarges this binary opposition between the word and image in terms of gender roles: the female image versus the male word. The female image is objectified and gazed, while the male author/artist is the subject and the gazer. The poet laureate Carol Ann Duffy’s poem “Standing Female Nude” challenges such binary oppositions by giving voice not to the male artist but to his female model, and by attributing the role of gazing to her. Hence, the aim of this article is to display how Duffy deconstructs the ekphrastic tradition in her poem in order to subvert the domineering relationship between the artist and his modelArticle The Problematic of Reading Generic Signals in Parodic Discourse(2013) Kırca, Mustafa; 33693; İngilizce Mütercimlik ve TercümanlıkThe aim of this study is to analyze the double-function of generic signals in double-voiced discourse of parody which involves by its nature the parodied and the parodying voices simultaneously. The paper claims that generic signals, which are supposed to be working mostly at an unconscious level to create a generic context for the reader in interpreting a text, become double-voiced by the parodist’s manipulation and work at a conscious level. It is common that the parody writer barrows and appropriates generic signals of the genre he parodies to indicate the parodied genre and also his departure from this genre. Parodic intentions become palpable immediately with the „parodic stylization” — to use Bakhtin’s term — of the generic signals, which brings about the Bakhtinian refraction of the authorial voice in parody. Since the parody writer intentionally appropriates the speech of the prodied genre, authorial refractions become clearer in parodic discourse. Through studying such refractions with a particular emphasis on genre parodies and specific examples from Cervantes’ Don Quijote, the present study argues that generic signals in parodic discourse assume the double-function of signaling the parodied genre and the parodying voice simultaneously. In order to show how generic signals assume a highly communicative function in parody, this study focuses on texts where the author parodies not a single writer and a single work, but a whole genre with its conventions. As a genre parody which aims for the governing discourse behind the genre it imitates, Cervantes’ Don Quijote produce significant examples that the double-function of generic signals can be seen explicitly through the authorial refractions in the text.Article Fear and Wish-fulfilling Flights of Fancy: Walpole’s Nightmare of Class Conflict and the Restoration of Aristocracy in The Castle of Otranto(2014) Koç, Ertuğrul; Atcan Altan, Neslihan; İngilizce Mütercimlik ve TercümanlıkThis article discusses The Castle of Otranto by Horace Walpole as the first gothic work dramatizing, through the theme of “usurpation”, the emergence of the new but “greedy” bourgeoisie in England in the eighteenth century as a threat against the long-established, and from Walpole’s perspective, “divinely ordered” aristocratic system. Au fait with the worries and expectations of aristocracy, for he is the son of Robert Walpole (the first Prime Minister of England), and a member of nobility and the Parliament, Walpole, in his work, cannot help defending the established system against the emerging bourgeois paradigm. In the article, Walpole’s concern with the chaotic state of his country, which he reveals through building a devastating class conflict in Otranto, will be analyzed with the help of biographical, historical, and Marxist approaches. Finally, by referring to the Freudian theory of “wish-fulfillment through dreams”, Walpole’s solution for the conflict will be shown to be a self-gratifying one, satisfying the author’s aristocratic selfArticle Re- creating the doppelganger in peter ackroyds the casebook of victor frankenstein(2015) Kırca, Mustafa; Munar, Hazal; 33693; İngilizce Mütercimlik ve Tercümanlıkİngiliz çağdaş romancılarından Peter Ackroyd, Victor Frankensteinin Vaka Defteri (2008) adlı eserinde, Mary Shelleynin 1818de yazdığı ve artık kanon olarak kabul edilen İngilizce adıyla Frankenstein, or The Modern Prometheus romanını yeniden kaleme alarak gotik eserlerde karşımıza çıkan kötücül ikiz karakterler (doppelganger) yaratma geleneğine yeni bir yorum getirmiştir. Bu kötücül ikiz, Ackroydun eserinde roman kahramanı olan Victor Frankensteinın bastırılmış dürtülerinin bir dışa vurumu olarak kendisini gösterir. Psikolojik sorunları olan kahramanının yaşadıklarının anlatıldığı bir vaka defteri olarak sunulan bu eserinde romancı, post- modern döneme ait gotik cinayet romanı örneği sunmaktadır. Bu yönüyle, Ackroydun romanı gerçek ile kurmaca arasındaki ilişkiyi sorunsallaştırması bakımından günümüz okurunun be klentilerini karşılayan ve bilinen bir öykünün yeniden yorumlanması da olsa özgün kabul edebileceğimiz bir eserdir.Article Citation - Scopus: 0Ann Radcliffe’S Life Described As “Helpless Maiden” and the “(Un)Conventional Woman” in the Mysteries of Udolpho(Slovenska Vzdelavacia Obstaravacia, 2015) Koç, Ertuğrul; Koç, E.; Karabulut, T.; Karabulut, Tuğba; 6497; İngilizce Mütercimlik ve Tercümanlık; Yabancı Diller BölümüAnn Radcliffe, an important pioneer of the Gothic genre, is a representative of her culture in terms of revealing the features of the male-dominant 18th century world as acceptable to her audience in The Mysteries of Udolpho. Dealing covertly with the validity of the established values of the patriarchal society, she hardly suggests alternative norms and behaviour types to women. Therefore, if analysed from the biographical and psychological perspectives, Radcliffe can be said to have constructed Emily, the major female character in Udolpho, like herself: Emily is committed to masculine ideas (and ideals), and is submissive to patriarchal authority. By constructing such a character, Radcliffe, in fact, gives hints about her own life which we know little about. The parallelisms between the lives and viewpoints of Radcliffe and her heroine indeed unveil the author’s inner world and her wish fulfilment over the major character. Happy with the masculine civilization, her heroine, like herself, remains anodyne and unengaging. © 2015 Slovenska Vzdelavacia Obstaravacia. All rights reserved.Article Dehen Altıner’in Sevgili Üniversite romanında kurmaca gerçeklik üzerine(Çankaya University, 2015) Ekiz, Tevfik; 6769; Yabancı Diller BölümüKurmaca ve Gerçeklik kavramları Dehen Altıner’in Sevgili Üniversite romanından hareketle irdelenmiştir. Roman, 1933 yılı Nazi iktidarı sonrası Almanya’dan ve Almanca konuşulan ülkelerden Türkiye’ye gelen ve Türk üniversitelerinin gelişimine katkı sağlayan çoğu Yahudi asıllı göçmen üniversite hocalarının Türk üniversitelerindeki yaşantılarını ve o dönemi konu edinmektedir. Çalışma, romanın kurmaca gerçeklik kavramı temelinde ele alınması gerektiğini amaçlamaktadır. Bir başka deyişle, Yahudi bilim insanlarının ülkemizde yaşadıkları gerçekliklerle, romandaki gerçeklikler arasında koşutluklar kurmaya çalışmanın kurmaca bir uğraş olduğu gösterilmeye çalışılmıştır.Editorial B/orders unbound: Marginality, ethnicity and identity in literatures(Peter Lang AG, 2017) Kırca, Mustafa; Kırca, Mustafa; 33693; İngilizce Mütercimlik ve TercümanlıkContemporary literature concerns itself with transgressing borders and destabilizing hierarchical orders. Border crossing to question the given limits and orthodox beliefs brings many disciplines and diverse experiences together, and the result is a myriad of ways of expressing the alternatives when the established boundaries are liberated. The volume presents fifteen essays and brings together many academics and scholars who share a common interest in transgressing borders in literatures. The book is determined to encourage border violations, and each paper tackles the issue of border crossing in different realms and territories.Book Citation - Scopus: 0Textual B/Orders violated: the hyperreal world of J. M. Coetzee's foe(Peter Lang AG, 2017) Ozun, S.O.; Kırca, Mustafa; Kirca, M.; 33693; İngilizce Mütercimlik ve TercümanlıkContemporary literature concerns itself with transgressing borders and destabilizing hierarchical orders. Border crossing to question the given limits and orthodox beliefs brings many disciplines and diverse experiences together, and the result is a myriad of ways of expressing the alternatives when the established boundaries are liberated. The volume presents fifteen essays and brings together many academics and scholars who share a common interest in transgressing borders in literatures. The book is determined to encourage border violations, and each paper tackles the issue of border crossing in different realms and territories. © Peter Lang GmbH Internationaler Verlag der Wissenschaften Frankfurt am Main 2017. All rights reserved.
