Mütercim Tercümanlık Bölümü (İngilizce)

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Avrupa Türk Edebiyatı ve bir temsilcisi: Emine Sevgi Özdamar
(Çankaya Üniversitesi, 2007) Ekiz, Tevfik; 6769
Almanya’da yaşayan ve Almanca yazan Türk kökenli yazarlarımızın edebi ürünlerinin nasıl sınıflandırılacakları ve hangi edebiyata dahil edilecekleri konusu Türk ve Alman edebiyat bilimcilerini meşgul etmiştir. Bugüne kadar genellikle “göçmen edebiyatı” kullanılmasına karşın, herkesin üzerinde uzlaştığı bir tanımlama hala yapılamamıştır. Söz konusu edebiyatın bu çalışmada “Avrupa Türk Edebiyatı” olarak tanımlanmasının doğru olacağı görüşü, bu edebiyatın temsilcilerinden Emine Sevgi Özdamar’ın eserlerinden hareketle önerilmektedir; çünkü, onun tüm eserlerinde belirleyici öge Türk Kültürü’dür.
Tess of the d’Urbervilles: the tragedy of godless human existence
(Çankaya Üniversitesi, 2009) Koç, Ertuğrul; 6497
In Tess of the d’Urbervilles Thomas Hardy depicts a godless world where human consciousness is unable to comprehend the consciousness of the universe. Hardy shows that, having created God as the culmination of his own moral perception, man hopelessly expects mercy and poetic justice from his own creation. Tess’s catastrophe is not the work of Christian God, but the work of the powers beyond the understanding of the character. Although Hardy suggests the solution for the circle of tragedy in human solidarity, in the civilization of man, or in the social stratification of the Victorian world, however, there is no place for peace and harmony. Hence, from Hardy’s perspective, man is alone and defenseless in the face of the tragedy awaiting him. Criticizing in a sardonic way the patriarchal mentality and the ignorance of his main character Tess, Hardy reveals that human existence is tragic, and what defines the life of individual is crass-casualty.
Wutheringheights: a hybrid that rejects classification
(Çankaya Üniversitesi, 2007) Koç, Ertuğrul; 6497
Much has been said about Wuthering Heights and Emily Bronte. Literary criticism that surrounds the work and its author, however, still continues to haunt the situations of both the novel and the novelist. Rejecting the formal tone and abstract subject matter of the criticism produced so far, I, in this article, analyze the text and its author from deconstructive, biographical, and reader response perspectives. Bronte wrote Wuthering Heights in the Victorian Age, when literary trend was concerned with the urban life. Despite being much discussed in literary circles and appreciated for its out-of-tradition themes, the work is neither the product of the age, nor does it belong to the anterior romantic (or gothic) tradition. The novel is down to earth within the unique conditions it was written, and this is because the writer was a unique personality to produce such an unclassifiable masterpiece.

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