Bilgilendirme: Sürüm Güncellemesi ve versiyon yükseltmesi nedeniyle, geçici süreyle zaman zaman kesintiler yaşanabilir ve veri içeriğinde değişkenlikler gözlemlenebilir. Göstereceğiniz anlayış için teşekkür ederiz.

İngiliz Dili ve Edebiyatı Bölümü Tezleri

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    Master Thesis
    Affinity between the fiction writer and the filmmaker: Viewpoint, aesthetics, and cinematographic representation in Sherwood Anderson's and James Joyce's short stories
    (2003) Taner, Neşet Erdem; 01. Çankaya Üniversitesi
    The affinity between fiction and film can be explained by the affinity between fiction writer and the filmmaker. The fiction writer begins with a series of images which he conserves in his mind and which he has obtained from his past experiences. He sets these into motion while creating his fiction. Whenever there is a conflict, there is a story to be told. Filmmaker puts into motion the still images in his mind and he forms his film. From this perspective, it can be put forward that both the fiction writer and the filmmaker are artists who activate the mental photographs in their minds and who create their art through their selective perception. Therefore both the fiction writer and the filmmaker establish the still pictures in their minds from an aesthetic viewpoint and subjectivity to reach at their viewers or readers. American writer Sherwood Anderson and Irish writer James Joyce have reflected still pictures in their Winesbura. Ohio and Dubliners respectively by transforming those pictures into the form of motion pictures from their own Ill viewpoints and aesthetical perspectives. They have worked as if they were filmmakers in transmitting their fiction. To conclude fiction writing and film language have similar language, have similar characteristics, and both are based on the principle of putting into motion a sequence of still pictures relying on an expressionistic and subjective viewpoint and aesthetics.