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Ceylan, Emine Burcu

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Profile URL
https://hdl.handle.net/20.500.12416/8737
Name Variants
Eryılmaz, Burcu
Eryilmaz, E. Burcu
Job Title
Arş. Gör.
Email Address
burcueryilmaz@cankaya.edu.tr
Main Affiliation
İç Mimarlık
Status
Current Staff
Website
ORCID ID
0000-0002-2550-1165
Scopus Author ID
Turkish CoHE Profile ID
283453
Google Scholar ID
kQq10kAAAAJ
WoS Researcher ID
MGT-1489-2025
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01711.jpg (1.07 MB)

Sustainable Development Goals

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NO POVERTY
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ZERO HUNGER
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GOOD HEALTH AND WELL-BEING
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QUALITY EDUCATION
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GENDER EQUALITY
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AFFORDABLE AND CLEAN ENERGY
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DECENT WORK AND ECONOMIC GROWTH
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INDUSTRY, INNOVATION AND INFRASTRUCTURE
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REDUCED INEQUALITIES
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SUSTAINABLE CITIES AND COMMUNITIES
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RESPONSIBLE CONSUMPTION AND PRODUCTION
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CLIMATE ACTION
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LIFE BELOW WATER
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LIFE ON LAND
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PEACE, JUSTICE AND STRONG INSTITUTIONS
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PARTNERSHIPS FOR THE GOALS
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  • Thumbnail Image
    Book Part
    Soft Spaces: Towards a New Materiality in Architecture
    (Caleidoscopio Authors, 2021) Eryılmaz, Burcu
    The end of the 1960s signifies a shift regarding the materiality of architecture, facilitated by both the technological advances imported into the architectural scene and the emancipatory atmosphere of the 1960s marked with political and cultural upheavals. This shift represents a move away from the dominant modes of space production to the more flexible alternatives, and it is most visible in the experiments of counter-culture architects. During the late 1960s and the early 1970s, this new generation of architects characterized by their radical ideas had been searching for a new materiality to liberate the architectural space from conventional restrictions. Accordingly, the avant-garde architects of this period had started to explore alternative ways towards a “softer” architecture as a challenge to the hard connotations of modernist space. To materialize the shift from hard to soft definitions in architecture, this paper proposes an inquiry into the inflatable architecture idealized by the avant-gardes as the foremost technique for producing soft spaces. In this regard, this paper traces the origins and earlier practices of soft architecture, and thus it focuses on inflatable spaces that had been produced during this period. Consequently, it aims at conceptualizing the softness of architecture by discussing how the material characteristics of inflatable structures contributed to the “softening” of architectural space in terms of both technical and cultural spheres.
  • Thumbnail Image
    Article
    Revisiting the Concept of Ephemerality in the Counter-Culture Architecture of the 1960s: In!atable Structures
    (Editura Univ Ion Mincu, 2022) Eryilmaz, E. Burcu; Eryilmaz, E. Burcu
  • Thumbnail Image
    Article
    Revisiting the Concept of Ephemerality in the Counter-Culture Architecture of the 1960s: Infatable Structures
    (2022) Eryılmaz, Burcu
    In his 1969 project An Experimental Bottery, published in the ninth issue of Archigram, David Greene introduces time as a concept that has had a significant impact on the arts over the past few years, but not so much on architecture. Still, he proposed the temporary space as the example of “an architecture that exists only with reference to time” by pointing out its potential to last in memory. Along this line of thought, this paper aims to make inquiry into the critical examples of temporary architecture to reflect on how they challenge architecture’s long-standing claim to permanence and thus attempt to transform the conventional relationship between architecture and time. To do so, it discusses a selection of inflatable structures that had been produced by such avant-garde architecture collectives as Archigram, Haus-Rucker-Co, and Coop Himmelb(l)au between the late 1960s and early 1970s. Starting from the assumption that these experimental spaces contribute to the expansion of the established boundaries of the discipline as they are situated at the margins of dominating architectural culture, this research provides a ground to argue how inflatable structures turned into a critical medium to reassess architecture’s relation with time during this period which was marked by technological developments and social, political and cultural upheavals.In his 1969 project An Experimental Bottery, published in the ninth issue of Archigram, David Greene introduces time as a concept that has had a significant impact on the arts over the past few years, but not so much on architecture. Still, he proposed the temporary space as the example of “an architecture that exists only with reference to time” by pointing out its potential to last in memory. Along this line of thought, this paper aims to make inquiry into the critical examples of temporary architecture to reflect on how they challenge architecture’s long-standing claim to permanence and thus attempt to transform the conventional relationship between architecture and time. To do so, it discusses a selection of inflatable structures that had been produced by such avant-garde architecture collectives as Archigram, Haus-Rucker-Co, and Coop Himmelb(l)au between the late 1960s and early 1970s. Starting from the assumption that these experimental spaces contribute to the expansion of the established boundaries of the discipline as they are situated at the margins of dominating architectural culture, this research provides a ground to argue how inflatable structures turned into a critical medium to reassess architecture’s relation with time during this period which was marked by technological developments and social, political and cultural upheavals.