Mütercim Tercümanlık Bölümü (İngilizce)

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Ann Radcliffe’s Life Described as “helpless Maiden” and the “(Un)conventional Woman” in the Mysteries of Udolpho
(Slovenska Vzdelavacia Obstaravacia, 2015) Koç, E.; Karabulut, T.
Ann Radcliffe, an important pioneer of the Gothic genre, is a representative of her culture in terms of revealing the features of the male-dominant 18th century world as acceptable to her audience in The Mysteries of Udolpho. Dealing covertly with the validity of the established values of the patriarchal society, she hardly suggests alternative norms and behaviour types to women. Therefore, if analysed from the biographical and psychological perspectives, Radcliffe can be said to have constructed Emily, the major female character in Udolpho, like herself: Emily is committed to masculine ideas (and ideals), and is submissive to patriarchal authority. By constructing such a character, Radcliffe, in fact, gives hints about her own life which we know little about. The parallelisms between the lives and viewpoints of Radcliffe and her heroine indeed unveil the author’s inner world and her wish fulfilment over the major character. Happy with the masculine civilization, her heroine, like herself, remains anodyne and unengaging. © 2015 Slovenska Vzdelavacia Obstaravacia. All rights reserved.
B/Orders Unbound: Marginality, Ethnicity and Identity in Literatures
(Peter Lang AG, 2017) Ozun, S.O.; Kirca, M.
Gender Performance and Transitivity in Angela Carter's the Passion of New Eve
(Hebrew Univ Magnes Press, 2023) Erkilic, Sila; Kirca, Mustafa
Jeanette Winterson's Literalizing Metaphors in the Passion and Sexing the Cherry
(Karadeniz Technical University, 2021) Kirca, M.; Kırca, Mustafa; İngilizce Mütercimlik ve Tercümanlık
The aim of this study is to analyze Jeanette Winterson's The Passion and Sexing the Cherry in terms of the feminine symbolic the writer creates in her female characters' narratives through a process of literalizing dead metaphors. Using metaphors in their literal sense, a rhetorical pattern which Regina Barreca calls "metaphor-into-narrative," is often deemed a subversive tool in women writers' works to create "laughter". It shows that women writers often use a metaphor in a conflicting context in their comedic works, and thereby stripping language of its symbolic quality. The present study argues that the marginal subject position of Winterson's female characters as "misfits" creates a noticeable difference in their discourses and suggests a move from the symbolic order of language to a feminine symbolic. With the examples from The Passion and Sexing the Cherry, the article studies Winterson's "literalization" to reveal how the writer uses metaphors out of their original contexts not only to create humor but also to destabilize the singular order of language used in historiographic representation by leaving the distinction between what is figurative and what is literal unclear. Winterson's female characters in The Passion and in Sexing the Cherry are also fitting examples for Bakhtin's "Fool" with their resistance to join in the discourse of patriarchy and to understand the habitual ways of conceiving the world. © 2021 Karadeniz Technical University. All rights reserved.
Naipaul's the mimic men: The colonized man's attempts to transgress the boundaries
(Peter Lang AG, 2017) Demir, Y.
Citation - Scopus: 1
Postmodern Philosophy of History and Reading Its Traces in Postcolonial (Re)writing
(Springer, 2023) Kirca, Mustafa
Presenting the outlines of the postmodern philosophy of historiography as it shapes the theoretical background for the analysis of the historical novel, this study aims to render that the recent understanding of history and its reconceptualization in decolonizing fictional (re)writings still provides the "re-visionary" stance seen in contemporary postcolonial narratives. After the introduction of postmodern innovations in theoretical and imaginative writing, there has emerged a rather newfangled view of the historical novel and an increasing inclination for narratives that attempt to reimagine historical moments and chronicles they integrate into their fictional worlds to pursue a re-visionary questioning. The critical frameworks of postcolonial historical fiction and speaking subalterns have moved on in postmillennial historical novels and political novels. Considering that postcolonial literary theories and fictional (re)writings attempt to deconstruct homogenous discourses and the Eurocentric (history) writing of the colonizer, it is claimed that, for the sake of textual decolonization, recent works of postcolonial historical writing intersect in several ways with the newfangled view of the historical novel.
Citation - WoS: 1
Citation - Scopus: 1
Reading Rushdie in Translation: Midnight's Children, Postcolonial Writing/Translation, and Literatures of the World
(Edinburgh Univ Press, 2021) Rundholz, Adelheid; Kirca, Mustafa
Citation - Scopus: 3
Sadness Metaphors and Metonymies in Turkish Body Part Idioms
(Bogazici University Press, 2019) Baş, M.; Nalan Büyükkantarcıoğlu, S.
This study examines the conceptualizations of the negative emotion sadness in Turkish body part idioms. More specifically, it addresses two main problems: (i) distribution of the body part terms used in idioms to express sadness, and (ii) conceptual metaphors and metonymies underlying the body part idioms that express sadness. The data of the study includes the idioms, which contain body part terminologies and communicate sadness. Conceptual metaphors and metonymies were identified following Barcelona (1997) and Kövecses (2000). The findings reveal that the body parts heart (yürek, kalp) and liver/lung (ciğer) are more productive in Turkish for the conceptualization of sadness. Among the conceptual mappings identified, PHYSICAL DAMAGE is the most typical one with the highest number of linguistic items. Turkish data provide insights on the cultural-cognitive model of sadness, as well as on the embodied nature of emotions. © 2019 Boğaziçi Üniversitesi Yayınevi, İstanbul.

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