İngiliz Dili ve Edebiyatı Bölümü Yayın Koleksiyonu

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Nature, Criticism Of The World, And Love In “Dover Beach” And “Love Among The Ruıns”
(2015) Güneş, Ayşe
Matthew Arnold’s “Dover Beach” and Robert Browning’s “Love among the Ruins” have been analyzed comparatively with other poems. However, there has not been a comparative study of these two poems written by two Victorian poets, and such a study is valuable as these poems have common qualities. To cite a few, in both poems, nature is a prevalent theme portrayed through ambivalent images, and the world is criticized for different reasons. These reasons are loss of faith in “Dover Beach” and foul human nature in “Love among the Ruins,” and war in both of them. In relation to the theme of criticism against the world, change is a concept portrayed through contemplation of the past. In “Dover Beach,” this change is expressed through the depiction of loss of faith, and in “Love among the Ruins,” the change is physical within the context of a fallen empire. Love is appreciated in both poems for different reasons. In “Dover Beach,” it is the only saviour, and in “Love among the Ruins,” it is considered as a peaceful and eternal force. This paper attempts to make a further study to compare “Dover Beach” and “Love among the Ruins” which share remarkable thematic similarities as well as differences in terms of their imagery of nature, criticism against the world, and appreciation of love.
Vampire versus the empire: Bram Stoker's reproach of fin-de-siecle Britain in dracula
(Cambridge Univ. Press., 2018) Koç, Ertuğrul; Demir, Yağmur
Much has been said about Bram Stoker's Dracula (1897), the out-of-tradition exemplar of the Gothic which, perhaps, has had a more pervasive effect on our understanding of life and death, gender roles and identity, and sex and perversity than any other work of the genre. The vampire from the so-called dark ages has become a symbol standing for the uncontrollable powers acting on us and also for all the discarded, uncanny phenomena in human nature and history. The work, however, has usually been taken by the critics of Gothic literature as “a paradigmatic Gothic text” (Brewster 488) representing the social, psychological, and sexual traumas of the late-nineteenth century. Hence, it has been analysed as a work “breaking [the] taboos, [and in need of being] read as an expression of specifically late Victorian concerns” (Punter and Byron 231). The text has also been seen as “reinforc[ing] readers’ suspicions that the authorities (including people, institutions and disciplines) they trust are ineffectual” (Senf 76). Yet, it has hardly ever been taken as offering an alternative Weltanschauung in place of the decaying Victorian ethos. True, Dracula is a fin-de-siècle novel and deals with the turbulent paradigmatic shift from the Victorian to the modern, and Stoker, by creating the lecherous vampire and his band as the doppelgängers of the sexually sterile and morally pretentious bourgeois types (who are, in fact, inclined to lascivious joys), reveals the moral hypocrisy and sexual duplicity of his time. But, it is also true that by juxtaposing the “abnormal” against the “normal” he targets the utilitarian bourgeois ethics of the empire: aware of the Victorian pragmatism on which the concept of the “normal” has been erected, he, with an “abnormal” historical figure (Vlad Drăculea of the House of Drăculești, 1431–76) who appears as Count Dracula in the work, attacks the ethical superstructure of Britain which has already imposed on the Victorians the “pathology of normalcy” (Fromm 356). Hence, Stoker's choice of title character, the sadistic Vlad the Impaler, who fought against the Ottoman Empire in the closing years of the Middle Ages, and his anachronistic rendering of Dracula as a Gothic invader of the Early Middle Ages are not coincidental (Figure 8). In the world of the novel, this embodiment of the early and late paradigms is the antagonistic power arrayed against the supposedly stable, but in reality fluctuating, fin-de-siècle ethos. However, by turning this personification of the “evil” past into a sexual enigma for the band of men who are trying to preserve the Victorian patriarchal hegemony, Stoker suggests that if Victorian sterile faith in the “normal” is defeated through a historically extrinsic (in fact, currently intrinsic) anomaly, a more comprehensive social and ethical epoch that has made peace with the past can be started.
Dünya Sağlık Örgütü ve Asya-pasifik Endeksleri ile Karşılaştırılan Türkiye Beden Kitle Endisi Kesim Noktaları için Öneri
(2022) Dagalp, Rukiye; Aydıntuğ, Yavuz Sinan; Aydintug, Itir; Aka, Sema P.; Iper, Doruk; Aka, Bahar
Beden Kitle Endisi (BKE) hesaplamalarında, toplumlararası antropometrik farklılıklar nedeniyle ülke ve cinsiyet bazında belirli kesim noktalarının belirlenmesi önemlidir. Bu sebeple bu araştırmada, Türk genç yetişkinleri için spesifik beden kitle endisi [TR-BKE (kg/m2)] kesim noktalarını saptamak için bir çalışma yürütülmüştür. TR-BKE, Dünya Sağlık Örgütü endisi (DSÖ-BKE) ve Asya-Pasifik endisi (AP-BKE) sınıflandırmaları ile karşılaştırılmıştır. Bu araştırmada 196 olgunun (97 Erkek, 99 Kadın, yaş ortalaması 22,5 yıl) ağırlık ve boy ölçümlerini içeren verileri incelenmiştir. DSÖ-BKE ve AP-BKE’ye göre hesaplanan BKE sınıflandırılmıştır. Bu verilere istatistiksel Ampirik Kural uygulanarak TR-BKE ve ayrıca erkekler ve kadınlar için TR-BKE erkek ve TR-BKE kadın endisi kesim noktaları bulunmuştur. Veriler hem DSÖ-BKE hem de AP-BKE’ye göre sınıflandırıldığında sonuçlar tutarsızlık göstermiştir. Bu nedenle TR-BKE hesaplanarak cinsiyete göre belirlenmiştir. Bu çalışmada, Türkiye’ye özgü BKE kesim noktaları ve aynı zamanda erkekler ve kadınlar için ayrı BKE kesim noktaları bulunmuştur. Buna göre “genç erişkin” yaş grubunda erkeklerin %70,1’i kadınlarda ise %78,8’i normal sınıflamaya, erkeklerin %14,4’ü, kadınların ise %10,1’i zayıf gruba girerken, erkeklerin %5,2’i ve kadınların %4,0’ı obez gruba girmektedir. Bu sonuç Türk genç erişkinler için obez olma durumuna kıyasla, zayıf olma durumunun daha ciddi olduğunu ortaya çıkartmıştır. BKE hesaplamalarında araştırılan ülkeye özgün olarak; yaş gruplarının, cinsiyetin ve bu hesaplamalarda yaşlanmaya bağlı boy kısalma miktarının göz önüne alınması önerilmiştir.
Öfkeli genç adam - Holden-
(Çankaya Üniversitesi, 2006) Öner, Uğur; Yılmaz Kurt, Zeynep
Bu çalışmada, Salinger’ın 1950’lerin başında basılan ve genç roman kahramanının ergenlik dönemi bunalımlarını çarpıcı bir biçimde yansıtan romanı, Gönülçelen’in Amerika ve diğer ülkelerdeki yankıları üzerinde durulmuştur. Baş kahraman, Holden’ın asi ve tutarsız davranışlarının psikolojik açıdan incelenmesi, Holden’ı bu ruh haline iten nedenler ve Holden’ın tüm yaşadığı bu sorunlara yaklaşımı ve nasıl üstesinden geldiği irdelenmiştir.
Yazınsal Yaratıcılıkta Temel İlke ve Kurallar
(Hayal Yayınları, 2009) Erden, Aysu
“To Build a Fire”: An Ecocritical Reading
(2014) Çakırlar, Özkan
Updating the restoration Libertine in Tanika Gupta’s contemporary adaptation of William Wycherley’s the country wife
(Çankaya Üniversitesi, 2009) Coussens, Catherine
This paper analyses Tanika Gupta’s contemporary version of William Wycherley’s Restoration comedy, The Country Wife, particularly in terms of its treatment of the libertine character central to the genre described as ‘sex’ or ‘marriage’ comedy, popular during the 1660s and 1670s (Rosenthal 7-8). By resituating the play in contemporary multicultural London, Gupta enables a critique of contemporary gender and marital mores amongst young, ethnically-hybrid communities to emerge, problematising patriarchal, misogynist or aggressive versions of masculine identity, and asserting the right of individual men and women to choose their own marriage partners. However, she also gives place to the libertine ethos as it was valorised in early modern sex comedies. Critical debate concerning the social and moral implications of the libertine have remained active since the seventeenth century, with the libertine character generally interpreted as either a refreshing freedom-seeker or an anxious misogynist. While Wycherley’s play celebrates but finally limits and condemns the efforts of the libertine to disrupt patriarchal social structures, returning the rebellious upperclass ladies to patriarchal authority, and condemning Horner to future (teputedly impotent) oblivion, Gupta’s female libertines, Dolly and Daisy, remain fun-loving outsiders ready to embark on new adventures, while Hardeep/Horner succeeds in assisting the “country wife” to escape an unhappy marriage. Gupta’s version of the play draws parallels between Restoration social debate – particularly concerning morality, marriage, patriarchy and class – and the ethnically charged debates concerning cultural identity, marriage and gender rights which dominate twenty-first century urban Britain.
Reframing Pablo Picasso and Dora Maar in Grace Nicols’s ‘Weeping Woman
(Uluslararası Kıbrıs Üniversitesi, 2018) Uzundemir, Özlem
The Guyanese poet Grace Nichols’s ekphrastic poem “Weeping Woman” in her Picasso, I Want My Face Back challenges Pablo Picasso’s iconic status in twentieth-century art. Written in the form of a dramatic monologue, the poem gives voice to Picasso’s model, muse and lover, Dora Maar, who was a Surrealist photographer before she had an affair with Picasso. Unlike traditional ekphrastic poems which involve the description of a fixed, silenced and gazed beautiful image through a male persona who is also a gazer of that image in poetry, Nichols transforms Maar’s objectified position in Picasso’s painting into a subject by voicing her critique of the artist’s cubist art, his use of colors as well as his geometric figures, and of his maltreatment of her. Through this ekphrastic stance, Maar reconstructs her identity as a photographer and rids herself from the artist’s domination over her in his art and personal life. Hence, the aim of this article is to discuss in what ways Nichols’s poem problematizes the privileged status of the male artist over his silenced female model and acknowledges the artistic talent of the woman through the use of ekphrasis.
Challenges to ekphrastic poetry: Carol Ann Duffy’s “standing female nude”
(Çankaya Üniversitesi, 2013) Uzundemir, Özlem
Bir görsel sanat yapıtını betimleyen şiirler, yazınsal metinler ve görsel sanatlar arasındaki farkların ortaya çıkmasını sağlarlar. Gotthold Ephraim Lessing’in Laocoön adlı kitabında sözünü ettiği gibi sanat yapıtı sessiz ve durağan olmasına karşın, yazınsal metin söze ve harekete dayanır. W. J. T. Mitchell Picture Theory adlı kitabında söz ve imge arasındaki böylesi ikili karşıtlığı cinsiyet rollerini de içerecek şekilde genişletir. İmge dişil, söz ise eril olarak ele alınır. Dişil imge bakılan nesne olmasına karşın, erkek yazar/sanatçı özne ve bakan konumundadır. Carol Ann Duffy “Standing Female Nude” adlı şiirinde, bu tür ikili karşıtlıkları sorgulayabilmek için erkek sanatçı yerine kadın modele söz hakkı verir ve bakma edimini de model üstlenir. Böylece, Duffy anlatıcının ister sanat yapıtı sahibi, ister sanatçının kendisi, isterse de yapıta bakan bir erkek olduğu resimbetimsel şiir geleneğini reddederek sanatçı ve modeli arasındaki güç ilişkisini sorgular.
The “Morally Ideal Woman” in Middlemarch
(Çankaya Üniversitesi, 2012) Demir, Yağmur
As a Victorian novelist, George Eliot depicts the 19th century English society and its system of values with respect to class stratification in her novel Middlemarch. Three main social classes of English society- aristocracy, middle-class, and working class- are rendered in detail with the help of three women figures representing the classes. With realistic representations related to society, Eliot lets the reader reach conclusions about the events and characters. The readers are introduced to the moral values of the classes, and the implicit moral teachings of Eliot. In this frame, Dorothea, Rosamond, and Mary are portrayed as the products of their classes’ moral values, aristocracy, middle class and working class respectively
Challenges to Ekphrastic Poetry: Carol Ann Duffy’s “Standing Female Nude”
(2013) Uzundemir, Özlem
Ekphrasis rests on the paragone between the sister arts, namely verbal and visual arts, the word and the image. Gotthold Ephraim Lessing in his Laocoön claims that the image is silent and fixed while the literary work is based on voice and action. W. J. T. Mitchell in his Picture Theory enlarges this binary opposition between the word and image in terms of gender roles: the female image versus the male word. The female image is objectified and gazed, while the male author/artist is the subject and the gazer. The poet laureate Carol Ann Duffy’s poem “Standing Female Nude” challenges such binary oppositions by giving voice not to the male artist but to his female model, and by attributing the role of gazing to her. Hence, the aim of this article is to display how Duffy deconstructs the ekphrastic tradition in her poem in order to subvert the domineering relationship between the artist and his model.
“Things Are Changing Under the Skin of England”: Representation of Immigrant Encounters in Hanif Kureishi’s Borderline
(Albanian Society for the Study of English, 2017) Koç, Ertuğrul; Demir, Y.; Demir, Yağmur; İngilizce Mütercimlik ve Tercümanlık; İngiliz Dili ve Edebiyatı
This paper analyses Hanif Kureishi’s lesser known play Borderline (1981). In this work, written under the influence of 1980 Southall Riots, Kureishi addresses the problems of immigrants living in England and depicts how the idea of Englishness is challenged by the immigrants who are engaged in racist politics, suffer from identity crisis, and strive to gain a sense of belonging. Both first-generation and second generation immigrants who are unable to feel the sense of belonging in the host land (England) are depicted as occupying in-between spaces. A portrait of an immigrant Pakistani family, each member of which goes through different stages of adjusting themselves to the society they have joined is presented along with other immigrant characters in the play. To fight with the injustice and racial abuse, a group of second-generation immigrants establish an organisation called Asian Youth Movement. Although it is implied that England and English people are not ready yet to embrace other cultures, immigrants, especially second generation immigrants, endeavour to make England “habitable.” In the play, Pakistani immigrants are portrayed as subject to certain changes during the integration process, which in the long-term will have permanent effects on English national identity, culture and society. This paper aims to display how immigrants (despite being considered a threat) try to overcome the difficulties they face in the host land, and in the meantime inevitably make a change in the English culture. © Albanian Society for the Study English (ASSE).
Akran Arabuluculuğu Eğitimi Programının İlköğretim Altıncı Sınıf Öğrencilerinin Akran Arabuluculuğu Becerilerine Etkisi
(2008) Taştan, Nuray; Öner, Uğur
Bu araştırmada, ilköğretim altıncı sınıf öğrencilerine uygulanan akran arabuluculuğu eğitimi programının akran çatışmalarını çözmeye etkisi incelenmiştir. Araştırmada akran arabuluculuğu eğitimi programının akran arabuluculuğu sürecini doğru biçimde uygulama ve akran çatışmalarını çözmedeki etkililiği test edilmiştir. Bu amaçla on tane altıncı sınıf öğrencisine (5 erkek, 5 kız) her biri 80 dakika süren beş oturumluk akran arabuluculuğu eğitimi programı uygulanmıştır. Akran arabulucusu olarak yetiştirilen öğrenciler, akranlarının yaşadıkları gerçek çatışmaları arabuluculuk süreci aşamalarını kullanarak çözmeye çalışmışlardır. Bu uygulama sürecinde arabulucu öğrencilerin çatışma çözme süreçleri (çatışma yaşayan taraflardan ve arabulucu öğrencilerden izin alınarak) video kamera ile kaydedilmiştir. Daha sonra kayıtlar araştırmacı tarafından izlenerek Arabuluculuk Süreci Değerlendirme Gözlem Formu (ASDGF) üzerinde; arabulucuların arabuluculuk süreci aşamalarını doğru biçimde uygulama ve akran çatışmalarını çözebilmede yeterli olmaları açısından, değerlendirilmiştir. Ayrıca arabuluculara Arabuluculuk Süreci Değerlendirme Arabulucu Formu (ASDAF), taraflara Arabuluculuk Süreci Değerlendirme Taraf Formu (ASDTF) uygulanmıştır. Akran arabuluculuğu eğitimi programının etkililiği, ASDGF, ASDAF, ASDTF sonuçları ile arabulucu ve taraflarla yapılan görüşmelerin sonuçları temel alınarak, test edilmiştir. Araştırmanın bulguları, akran arabuluculuğu eğitimi alan arabulucuların arabuluculuk süreci basamaklarını doğru biçimde uygulayabildiklerini ve akran çatışmalarını çözebildiklerini göstermektedir. Elde edilen bu sonuçlar, akran arabuluculuğu eğitimi programının kullanışlığına ve etkililiğine ilişkin yeterli kanıtlar olarak ele alınmış ve tartışılmıştır.
Transformation of Home Into Social Space in Doris Lessing's \"getting Off the Altitude
(2022) Güvenç, Özge Üstündağ
Doris Lessing’in Africa öykülerinin bulunduğu This Was the Old Chief’s Country (1952) ve The Sun Between Their Feet (1973) başlıklı kitapları, sömürgecilik temasını örneklendiren öykülerden oluşmaktadır. Birinci kitaptaki öyküler daha çok sömürgecilik konusunu tartışırken diğer kitaptaki öyküler ise ırk ve cinsiyet çatışmaları, doğanın gücü ve ikinci Dünya Savaşının etkileri gibi çeşitli konuları ele alır. Coğrafi özelliklerin sosyal ve kültürel değerlerin şekillenmesinde önemli bir rolü olduğu için, bu öykülerdeki mekân ve cinsiyet ilişkisi incelenmeye değer bir diğer önemli konudur. The Sun Between Their Feet başlıklı kısa öykü kitabından alınan “Getting off the Altitude” adlı öykü beyaz yerleşkecilerin Orta Afrika’da coğrafi özelliklerden kaynaklanan yabancılaşma sorunu ile nasıl baş ettiklerini anlatmaktadır. Mekânsal (coğrafi) olarak kapalı toplum yapısı, bir yandan sosyal norm ve değerleri muhafaza ederken, diğer yandan toplum kurallarına aykırı cinsiyetler arası ilişkilere yol açmaktadır. Toplum yapısını ve cinsiyetler arası ilişkileri bu denli etkileyen bir diğer coğrafi unsur ise bölgedeki rakımın etkisidir. Buna ilişkin olarak, incelenen öykü Orta Afrika’nın ve bu bölgedeki evlerin, nasıl günlük yaşamın sürdüğü fiziksel bir mekân olarak algılandığını göstermekle kalmaz, aynı zamanda bu mekânların ilişkileri nasıl tanımladığını ve insanların yaşam alanlarını nasıl kısıtladığını gösterir. “Getting off the Altitude” adlı öyküyü koleksiyondaki diğer öykülerden ayıran özellik, birçok kadın ve erkek karakterin yaşadıkları alanlara yeni bakış açısı sunmuş olmalarıdır. Bu çalışma, birçok karakterin yaşam alanlarında günlük deneyimlerinin betimlenmesi yoluyla, mekâna hangi ölçüde ve nasıl yeni anlamlar kattığını ve ev gibi özel bir alanın nasıl kısıtlayıcı mekân anlayışından alternatif mekâna dönüştürüldüğünü, Henri Lefebvre ve Edward Soja’nın mekân kuramları kapsamında tartışır.
The Haunting Spectres within Consciousness: Melancholia, Memory and Mnemonic Entrapment in Shakespeare and Joyce
(2016) Ekmekçioğlu, Neslihan
Citation - WoS: 2
Citation - Scopus: 3
New Spectral Approaches To the Simultaneous Quantitative Resolution of a Combined Veterinary Formulation by Ann and Pca-Ann Methods
(Walter de Gruyter & Co, 2011) Baleanu, Dumitru; Sen Koktas, Nigar; Dinc, Erdal
The simultaneous spectral prediction of levamisole (LEV) and triclabendazole (TRI) in combined veterinary formulation was performed by the new chemometric methods, artificial neural network (ANN) and principal component analysis-artificial neural network (PCA-ANN). Despite the overlapping spectra of LEV and TRI in the same wavelength region, the proposed methods do not use any separation procedure for the analysis of the related compounds. Good precision and accuracy were observed for the applications of the proposed artificial neural network models to an independent binary mixture set consisting of the active compounds. These methods were successfully applied for the chemometric quantitation of a veterinary formulation of LEV and TRI.
Towards a context for Ibn Umayl, known to chaucer as the alchemist ‘senior’
(Çankaya Üniversitesi, 2009) Starr, Peter
This article will present what we know of the life and times of an important alchemist, Ibn Umayl. It is entitled ‘Towards a Context’ because I have not yet consulted a number of his treatises, which are mostly only available as manuscripts. Ibn Umayl’s position in alchemy accords with Hermetic doctrines, and may have developed as a traditionalist reaction to developments in alchemy around the time of Jabir ibn Hayyan. The paper offers an overview of the influence Ibn Umayl on western literature, beginning with a quotation from The Canterbury Tales which shows knowledge of Ibn Umayl. The overview then goes on to look at the reception of his works in Arabic-Islamic alchemy. The last part of the paper, which makes use of published research and unpublished manuscripts, puts together what we know of his life, and places his ideas in the context of a school of thought. The writer is inclined to agree with researchers who say that Ibn Umayl was Egyptian, although the evidence is conflicting. Quoting The Pure Pearl and The Silvery Water in particular, the article emphasizes the alchemist’s faithfulness to Hermetic doctrines, although in a particular, Islamic, dispensation
İçbütünlük sorunu ve modern politik ahlak
(Çankaya Üniversitesi, 2015) Aral, Halide
This article is about the question of integrity in modern political ethics. It regards modern political practice as unethical and relates it to the change in political philosophy introduced by Machiavelli;the sensate civilization of the West in Sorokin’s terms; and the prometeic culture which developed, as Schubart claims, with the Renaissance. Then, it argues that making integrity the central virtue in politics will contribute to the development of ethical political practice.
“Virtue’s commonwealth”: gendering the royalist cultural rebellion in the English interregnum (1649-1660)
(Çankaya Üniversitesi, 2006) Coussens, Catherine
Historians and literary critics have acknowledged the ways in which royalism during the English civil war period came to be associated with the “feminisation” of Stuart court culture, and of the king’s cause as a whole. However, they have failed to attend adequately to the deliberate focus on women and female cultural authority within the literature associated with the “royalist cultural rebellion” (the movement that sought to preserve and recall the ethos and identity of the banished Stuart court). While male poets adopted a self-mocking tone when advertising their artistic dependence on female patrons, alluding self-consciously to their own “feminised” retirement, women’s active role in commissioning, preserving, disseminating and composing royalist literature suggests that their cultural importance was enhanced by the conditions of the Interregnum. Both royalist and parliamentarian propagandists exploited anti-feminist satire to condemn what they saw as illegitimate forms of government. However, royalist traditionalists overtly connected elite royalist women with the ethos and situation of the eclipsed Stuart monarchy, and sought to address a burgeoning female readership by stressing women’s advantages under the Crown. Royalist women in turn responded to these cultural constructions of royalism and femininity, creating powerful authorial identities that would remain potent after the Restoration in 1660
The Mediterranean Sea and the Impact of Its Geographical Space and Cosmology upon Shakespeare’s Characters in Pericles
(2022) Ekmekçioğlu, Neslihan
Multiple representations of space and geography in Pericles can be evaluated from different points of view. The sea in Pericles witnesses the nativity of Pericles’s child, Marina and the burial of his wife, Thaisa within a chest. The natural elements lead the casket in which Thaisa is buried to the shore of Ephesus. Thaisa can be thought as the treasure of the deep. Her casket is discovered after a turbulent and stormy night by Cerimon who brings her back to life. The remarks regarding the wondrous meteorological phenomenon of the tempest point to the symptoms of an earthquake which caused the billow, the swelling of the sea which delivered the chest of Thaisa’s supposedly dead body to the seacoast. All the sudden turns and unpredictable events display the life experiences of Pericles who wanders in the Mediterranean Sea for many years. Shakespeare’s maritime imagination reveals a profound ontological relationship between the sea and human maturation in the sense of reaching a higher level of humanity. The ocean with its tempests and shipwrecks mostly contributes to sudden shifts in human lives and brings a kind of transformation in the lives of Shakespeare’s characters. In Pericles, the Mediterranean Sea with the impact of its geographical space and cosmology brings hope and despair, life and death as well as changes in Pericles’s life. The sea also witnesses the revival of life with magic and music at the seashore of Ephesus. My paper will deal with the multi-faceted geographical space of the Mediterranean Sea and its impact on character development in Shakespeare’s Pericles.

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